Download e-book for iPad: Anglo-Saxon Culture and the Modern Imagination (Medievalism) by David Clark, Nicholas Perkins

By David Clark, Nicholas Perkins

ISBN-10: 1843842513

ISBN-13: 9781843842514

`An very good collection... breaks new floor in lots of parts. may still make a considerable influence at the dialogue of the modern impact of Anglo-Saxon Culture'. Conor McCarthy, writer of Seamus Heaney and the Medieval mind's eye Britain's pre-Conquest prior and its tradition maintains to fascinate glossy writers and artists. From Henry Sweet's Anglo-Saxon Reader to Seamus Heaney's Beowulf, and from excessive modernism to the musclebound heroes of comedian ebook and Hollywood, Anglo-Saxon England has been a robust and infrequently unforeseen resource of concept, antagonism, and mirrored image. The essays the following interact with the ways that the Anglo-Saxons and their literature were got, faced, and re-envisioned within the smooth mind's eye. they give clean insights on validated figures, reminiscent of W.H. Auden, J.R.R. Tolkien, and David Jones, and on modern writers comparable to Geoffrey Hill, Peter interpreting, P.D. James, and Heaney. They discover the interplay among textual content, photograph and panorama in medieval and smooth books, the recasting of mythic figures corresponding to Wayland Smith, and the metamorphosis of Beowulf into Grendel - as a singular and as grand opera. The early medieval emerges no longer as a domain of nostalgia or anxiousness, in sleek revisions, yet as an alternative presents an essential area for creativity, excitement, and inventive test. individuals: Bernard O'Donoghue, Chris Jones, Mark Atherton, Maria Artamonova, Anna Johnson, Clare A. Lees, Sian Echard, Catherine A.M. Clarke, Maria Sachiko Cecire, Allen J. Frantzen, John Halbrooks, Hannah J. Crawforth, Joshua Davies, Rebecca Anne Barr

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Extra resources for Anglo-Saxon Culture and the Modern Imagination (Medievalism)

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It was one of those things, gathering dumbly in silence ; the unspoken hovered over it ; wanted out, but couldn’t get out. 40 Heaney goes on to link this poem to the passage of Beowulf in which Hrothgar presents the hero with the gift of a helmet after he has defeated Grendel : a gift, then, analogous to that which the Boston fireman made Heaney, although, as will become apparent, Heaney feels himself less deserving of it. In Heaney’s Beowulf the description of Hrothgar’s gift runs : 39 Seamus Heaney, District and Circle (London, 2006), p.

19 The first film to make extensive, but not exclusive use of performance capture, was Sinbad : Beyond the Veil of Mists, dir. Evan Ricks and Alan Jacobs (Trimark Pictures, 2000). 20 See Jeff Opland, ‘From Horseback to Monastic Cell : The Impact on English Literature of the Introduction of Writing’, in Old English Literature in Context : Ten Essays, ed. John D. Niles (Cambridge, 1980), pp. 30–43, at p. 43. See also John D. Niles, Old English Heroic Poems and the Social Life of Texts (Turnhout, 2007), pp.

20 One early article, ‘Sketch of the History of Anglo-Saxon Poetry’, written while Sweet was still a (mature) student at Balliol College, Oxford, demonstrates fairly well his ability to appreciate Old English poetic form. A characteristic of the poetry, Sweet states, is its ‘conciseness and directness’ seen in its avoidance of elaborate simile. 21 In many ways the ‘Sketch’ of 1871 can be regarded as a plan in preparation for the textbook of 1876, and we can see what attracted Sweet to the poems he eventually chose for the Reader.

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Anglo-Saxon Culture and the Modern Imagination (Medievalism) by David Clark, Nicholas Perkins

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